The ‘STUFF’ of Our Lives
Bryant Holsenbeck’s ‘STUFF: Where does it come from and where does it go?’ is now on display at the Turchin Center. The exhibit is comprised of artwork crafted from everyday trash, including 30,000 plastic bottles collected from around the ASU campus.
Photos courtesy of the Turchin Center for the Visual Arts
At first glance the new installation in the Mayer Gallery at
the Turchin Center for Visual Arts reveals a fanciful interplay of light and structure: a delicate
forest of luminous greens and browns, soaring windows alight with iridescent globes, an
eight-pointed mandala rising skyward, its serpentine tail weaving out from the center.
A
closer look at Bryant Holsenbeck’s “STUFF: Where does it come from and where does it go?” reveals
truths both fanciful and profound.
“I’ve been documenting the ‘stuff’ of American life for
over 20 years – the things we use once and throw away,” said Holsenbeck, an environmental artist
whose large-scale installations are intended to raise awareness of environmental issues and inspires
sustainable living. “We Americans create more garbage per capita than any other culture, yet we’re
blind to it. My job as an artist is to transform materials I find in the environment into
something beautiful, so when people see it they begin to think about these issues.”
Thus,
plastic and glass bottles strung with bamboo chopsticks form the trunks and branches of a forest;
countless metal and plastic caps and lids become the tail of the mandala, itself made of
multi-colored jars, bottles and cartons. All are part of Holsenbeck’s exhibit in the Mayer
Gallery.
The Turchin Center for the Visual Arts presents “STUFF” in partnership with the
Catherine J. Smith Gallery at Appalachian State University. The exhibition runs April 6 through
July 28 and is funded in part by Appalachian’s Sustainability Council Competitive Arts Grant.
In conjunction with the exhibition, Holsenbeck took part in a residency at Appalachian in
February that included classroom visits, lectures and workshops. Students and community volunteers
helped to collect materials and construct creations for the installation. During the week prior to
opening “STUFF,” 200 volunteers pitched in with Holsenbeck and Turchin Center staff to prepare for
use 30,000 plastic bottles collected from around campus.
“They say a picture is worth a
thousand words… We created a picture in the gallery windows with 10,000 plastic and glass bottles
– that’s the number of bottled drinks sold on campus in one week,” said Ben Wesemann, project
coordinator and acting director of the Catherine Smith Gallery.
He described Holsenbeck as
a master at making this type of community project successful and at using society’s waste to
create provocative works of art.
“In viewing Bryant’s work, people are being educated about
what it represents,” he said. “It’s a more tangible and powerful message than reading statistics
on a website.”
Jennifer Maxwell, a resource conservation specialist with Appalachian’s
Office of Sustainability said the connection Holsenbeck’s work makes between art and environmental
awareness is an excellent fit for the university.
“At Appalachian, we’re committed to
being a zero-waste campus, so Bryant’s message is very relevant here,” she said. “It calls
attention to our consumption habits while highlighting the importance of reducing that impact
through the choices we make every day.”
For Holsenbeck, the act of collecting thousands of
plastic bottles on campus for her installation represents an issue that has added a deeper
dimension to her work and her life: single-use plastics.
“Grocery bags, soda lids, straws,
water and soda bottles, food containers and packaging – all are single-use plastic – made to use
once and designed to last forever,” Holsenbeck said.
And “last forever” they appear to do.
Worldwide pollution stats indicate that, since the 1950s, 1 billion tons of plastic have been
discarded and can be expected to persist in the environment for thousands of years.
The Great Pacific Garbage Patch, an enormous litter zone in the North Pacific, is reported
to span an area twice the size of the continental United States. Composed primarily of plastics,
the chemical breakdown is killing sea life and birds in the region.
Discouraged by such
environmental truths and determined to change her own consumption habits, Holsenbeck challenged
herself to live without single-use plastics. That was two years ago, and she hasn’t waivered. She
documents her experience in a blog: “THE LAST STRAW: A continued quest for life without disposable
plastic.”
In an entry from February 2010, she writes, “What I only slightly understood when
I began this journey was how saturated we are with plastics. Paying attention to what is in front
of me is what I try to do when I get near any sort of commerce. The minute I forget, voilà! I
get plastic I didn’t bargain for. ”
For Holsenbeck, life without single-use plastics
is worth the effort, “Especially once you understand that what we all do – the decisions we make –
really matter,” she said. “This installation at the Turchin Center has been my biggest opportunity
yet to share that message.”
So, the next time you see a plastic bag caught in a tree or a
gutter full of plastic bottles, straws and lids, think about Holsenbeck and ask yourself, “Where
is this stuff going?”
Learn more about Holsenbeck and her work at
http://www.bryantholsenbeck.com or http://www.bryantholsenbeck.com/blog.
The Turchin Center is located at
423 West King St., in Boone. Hours are 10 a.m. to 6 p.m. Tuesday through Thursday and Saturday,
and noon to 8 p.m. Friday. The center is closed Sunday and Monday and observes all university
holidays. There is no admission charge, although donations are accepted.
For more
information, call (828) 262-3017 or visit http://www.tcva.org.
